SCI-FI Contacts Film Series: From Text to Screen

SCI-FI Contacts Film Series- Science Fiction from Text to Screen at Associazione Italo Americana FVG / American Corner Trieste.  Save the dates Tuesdays and Thursdays from September 24th until October 15th starting at 8 pm.  Original Version, Open to the Public

SCI-FI Contacts:Science fiction from text to screen

The series features five films and five episodes from two TV series, from the Fifties to Seventies. The title refers to the contact between the two different media - literature and cinema, between the self and others in each of the stories, humans and other forms of life or intelligence - a classical science fiction theme, which is present in many of the selected movies. The series intends to show how broad the range of possibilities given by the science fiction thematic repertoire is: the genre can be used as a vehicle of critical analysis, thrilling and fascinating.  Giulia Iannuzzi, graduate student, will introduce us to each film and give us some literary background.  OPEN TO THE PUBLIC.  Projections in original version.
 
1) 24 September - Invasion of the Body Snatchers, directed by Don Siegel, 1956, USA, 80 min.
Adaptation of Jack Finney's The Body Snatchers (novel 1955). Starring Kevin McCarthy and Dana Wynter. Screenplay by Daniel Mainwaring.
Alien invaders in a small town in California replace human beings with duplicates that appear physically identical but are devoid of any real emotion. A sci-fi classic, which is famous also for the various critical interpretations which have been given, often with a political allegory: the paranoid climate in the film has been lead back to the McCarthyist fear of communism or to the fear of losing personal identity connected to every over-controlling ideology or system.
 
2) 26 September - The Incredible Shrinking Man, directed by Jack Arnold, 1957, USA, 81 min.
Adaptation of Richard Matheson's The Shrinking Man (novel, 1956). Starring Grant Williams and Randy Stuart, screenplay by Richard Matheson.
During a vacation on a boat, Scott Carey gets in touch with a strange cloud and the next day he starts shrinking. When he discovers the strange phenomenon a few weeks later, there's nothing doctors are able to do. The process goes dramatically on, but the end reserves surprises. A masterpiece by Jack Arnold, which was shot on a closed set, to keep secret the special effects techniques employed.
 
3) 1 October - The Twilight Zone, TV series (first series: 1959-1964), created by Rod Serling, USA.
Series 1, episode 8, Time Enough at Last, adaptation of the short story by Lyn Venable (Marilyn Venable), (If: Worlds of Science Fiction, January 1953), 25 min.
Henry Bemis is an avid bookworm, but his work at a bank and his wife keep him from having the time he would like to spend reading. When he survives a nuclear catastrophe and he is finally alone and free to read as much as he likes, but...
Series 1, episode 25, People Are Alike All Over, based on Paul W. Fairman's Brothers Beyond the Void (Fantastic Adventures, March 1952), 25 min.
Two astronauts are headed to Mars. One dies in the impact while landing. The other receives an enthusiastic welcome by a civilization very similar to the human's. Soon he discovers than the room the Martians gave him is not exactly a room... The first episode of Star Trek original series (1965), has a similar plot.
Series 3, episode 8, It' a good life, adaptation of Jerome Bixby's short story It's a good life (Star Science Fiction Stories, 1953), 25 min.
In the small town of Peaksville, Ohio,  Anthony Fremont looks like any other six year old boy, but he is a mutant with godlike mental powers.
 
4) 3 October - The Last Man on Earth, directed by Ubaldo Ragona and Sidney Salkow, 1964, USA-Italia,
Adaptation of Richard Matheson I Am Legend (novel, 1954). Starring Vincent Price, Franca Bettoia, Emma Danieli, Giacomo Rossi-Stuart; screenplay by Furio M. Monetti, Ubaldo Ragona, William Leicester, Richard Matheson (as Logan Swanson).
The first adaptation of Matheson's I Am Legend is also a milestone for many contemporary fantastic sub-genres. The post-apocalyptic setting in which the humans are infected by an unknown virus, which transforms them into vampires, has has had great success also in film remakes.. Filmed in a striking Rome, starring the great Vincent Price.
 
5) 8 October - Star Trek, TV series (first series 1966–1969), created by Gene Roddenberry, USA.
- Series 1, episode 4, The Naked Time (50 min.): the episode has been adapted in a short story by the writer James Blish, in the first novelisation of the series, simply titled Star Trek (1967).
While orbiting the planet Psi 2000, a strange affliction infects the crew of the starship Enterprise, destroying their inhibitions.
- Series 1, episode 18, Arena (50 min.): adaptation of Ray Bradbury’s short story Arena (1944) (teleplay by Gene L. Coon).
Captain Kirk from the Federation starship Enterprise battles an alien captain who destroyed a Federation outpost.
 
6) 10 October - The Stepford Wives, directed by Bryan Forbes, 1975, USA, 115 min.
Adaptation of Ira Levin's The Stepford Wives (novel, 1972). Starring Katharine Ross, Paula Prentiss, Peter Masterson, Nanette Newman, Tina Louise; screenplay by William Goldman.
Joanna Eberhart moves with her husband Walter and two children from New York City to the idyllic Connecticut suburb of Stepford. Here she is struck by the fact that the women are all good-looking and are obsessed with housework, but have few intellectual interests, while the men all belong to a somehow mysterious Stepford Men's Association. She starts to inquire with Bobbie Markowe, another newcomer. The reality Joanna will find shows a nightmarish use of technology. The movie is a great example of sci-fi engaged on gender and political themes.
 
7) 15 October - The Fury, directed by Brian De Palma, 1978, USA, 118 min.
Adaptation of John Lee Farris' Fury (novel, 1976). Starring Kirk Douglas, John Cassavetes, Carrie Snodgress, Amy Irving, Charles Durning and Andrew Stevens; screenplay by John Lee Farris.
Both science fiction and thriller, The Fury is a gripping example of the classical psychic powers theme. The young protagonists are dragged into an obscure research project about the weapon potential of supernatural powers.